The Missadventures of a Wordsmith

Escape the Abuse

maid-en-china:

Something very sad happened today, and I would like to share this story in hopes that it will help someone else in a similar situation.

I was selling my art at the Cherry Blossom Festival in San Francisco today, and during the end of the day, right after I finished packing up, a nicely dressed…

batwife:

GPOY

That was me yesterday and whenever I do my laundry. =P

batwife:

GPOY

That was me yesterday and whenever I do my laundry. =P

(Source: cyndi-von-spook)

englishmajorhumor:

Happy birthday, Samuel Beckett!

englishmajorhumor:

Happy birthday, Samuel Beckett!

(Source: etsy.com)

explore-blog:

Christopher Hitchens, who would’ve been 65 today, on mortality

explore-blog:

Christopher Hitchens, who would’ve been 65 today, on mortality

mayra-quijotesca:

trustisforfools:

mrspiritual:

musicalpandas:

gainingconfidencexo:

havocados:

emorenita:

why aren’t these being reblogged more often?i rather see these than “keys in hand”

Fatality

Umm so since I’m stupid could someone kindly explain each step for me like step 3 am i head butting him in the face or the chest? 

I think it depends on the height of the person, but I suppose the head is a more effective target. I hope this helps :)

Step 1: Step back the moment he reaches for you.
Step 2: Duck!
Step 3: Head butt him in the chin. It’s very important that it is the chin and not the chest because it is much more uncomfortable and disorienting to have your teeth bang together especially if it cuts his tongue (which it will if it is in the way). More than likely height won’t matter. He will be leaning forward from the missed attempt at grabbing you.
Step 4: Knee him in the balls.
Step 5: When he doubles over, jab him on his back. I believe at the base of the neck just above the shoulder blades would be best. I’m not an expert, but this seems like the best place, imo.
Step 6: Don’t lose contact. Bring your other hand over and slam your hands against the sides of his heads as hard as possible. Right on the ears is the best place; it is extremely disorienting if done correctly. Then take his head and bring it down on your knee as you bring your knee up. It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead.
Step 7: Keep your knee up and bring your foot out to kick him over. Personally, I don’t like the image because it looks like she kicked him with her toes. You do not want to do that. Instead kick him with the ball or heel of your foot and put power behind it with a push.
Step 8: He is on the ground. You could probably stop here and he would get the picture, but if you really want to…Your leg is still in the air from the kick. With all your force slam the edge of your your heel on his side. It will be more effective if you lower your body first by bending at the knee of the leg your weight is on. Done right, you can break a rib or two.

reblogging again for that^

Reblogging for the steps in the image and the explanation in the comments. I don’t so much like the explanation on the image proper, but I appreciate the thought behind it (here, have a self-defense thing, it could save you) and so I’m passing it on.

mayra-quijotesca:

trustisforfools:

mrspiritual:

musicalpandas:

gainingconfidencexo:

havocados:

emorenita:

why aren’t these being reblogged more often?
i rather see these than “keys in hand”

Fatality

Umm so since I’m stupid could someone kindly explain each step for me like step 3 am i head butting him in the face or the chest? 

I think it depends on the height of the person, but I suppose the head is a more effective target. I hope this helps :)

Step 1: Step back the moment he reaches for you.

Step 2: Duck!

Step 3: Head butt him in the chin. It’s very important that it is the chin and not the chest because it is much more uncomfortable and disorienting to have your teeth bang together especially if it cuts his tongue (which it will if it is in the way). More than likely height won’t matter. He will be leaning forward from the missed attempt at grabbing you.

Step 4: Knee him in the balls.

Step 5: When he doubles over, jab him on his back. I believe at the base of the neck just above the shoulder blades would be best. I’m not an expert, but this seems like the best place, imo.

Step 6: Don’t lose contact. Bring your other hand over and slam your hands against the sides of his heads as hard as possible. Right on the ears is the best place; it is extremely disorienting if done correctly. Then take his head and bring it down on your knee as you bring your knee up. It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead.

Step 7: Keep your knee up and bring your foot out to kick him over. Personally, I don’t like the image because it looks like she kicked him with her toes. You do not want to do that. Instead kick him with the ball or heel of your foot and put power behind it with a push.

Step 8: He is on the ground. You could probably stop here and he would get the picture, but if you really want to…Your leg is still in the air from the kick. With all your force slam the edge of your your heel on his side. It will be more effective if you lower your body first by bending at the knee of the leg your weight is on. Done right, you can break a rib or two.

reblogging again for that^

Reblogging for the steps in the image and the explanation in the comments. I don’t so much like the explanation on the image proper, but I appreciate the thought behind it (here, have a self-defense thing, it could save you) and so I’m passing it on.

(Source: think4yaself, via poison-empress)

“Do not fear to be eccentric in opinion, for every opinion now accepted was once eccentric.”

“Stay committed to your decisions, but stay flexible in your approach.”

—   Anthony Robbins. (via quotedojo)

foxyshy:

so let me get this straight. anti-choicers took $500,000 dollars worth of pennies and sealed them in a glass case as a “memorial” to “victims” of abortion. i’m going to say that again. these people have locked away $500,000 dollars as a “tribute” to dead blobs of cells instead of donating that money to actual living breathing children who don’t have basic necessities or homes.

anti-choicers are incredible

(via babybatsy)

spooky-username:

Vincent, a delightfully spooky short film by Tim Burton.

(via evilsoutherngentleman)

ancientart:

A quick look at: Senwosret III, the 5th king of Egypt’s 12th Dynasty. 
Who was he, and why is he so stern-looking in his artistic representations?
Pictured: Three granite statues of Senwosret III at the British Museum.
Following the decline of Egypt’s Old Kingdom (about 2613-2160 BC), royal power was devolved to nomarchs (provincial governors), leading Egypt into the First Intermediate Period.

Egyptologists traditionally distinguish between the major periods of pharaonic history on the basis of the political state of the country. ‘Kingdoms’ -defined as times of political unity and strong, centralized government -alternate with the ‘intermediate periods’, which are in contrast characterized by the rivalries of local rulers in their claims for power. (-Stephan Seidlmayer, in The Oxford History of Ancient Egypt, pg. 108).

The Middle Kingdom (approx. 2055-1650 BC), however, saw the re-centralization of power and the disappearance of these nomarchs and their families. Senwosret III was an instrumental player in this, with his domestic policy focused on reorganizing the administrative system; he also greatly strengthened Egypt’s control over Nubia. 
There is a significant difference between the royal statues of the Old and Middle Kingdoms. Those of the Middle Kingdom overall become larger in size, and markedly sterner-looking in expression. I side with those Egyptologists who suggest that the recent memory of the First Intermediate Period was the cause of this; following the loss of kingship to the nomarchs, the kings of the Middle Kingdom felt the need to exhort their power and authority in more obvious manners -such as through their artistic representations.

This powerfully realistic portrait of Senwosret III [the middle statue shown] was clearly intended to inspire awe in the onlooker. The authority of the Pharaoh is conveyed by the stern gaze and the downturned, almost grimacing, mouth. (-Rita Freed in Ancient Egypt, pg 218).

A good example which I usually give when comparing is this Old Kingdom statue of Khafre at the Egyptian Museum in Cairo. 
Artifacts shown courtesy & currently located at the British Museum, London. Photo taken by Stevan Hubbard.

ancientart:

A quick look at: Senwosret III, the 5th king of Egypt’s 12th Dynasty.

Who was he, and why is he so stern-looking in his artistic representations?

Pictured: Three granite statues of Senwosret III at the British Museum.

Following the decline of Egypt’s Old Kingdom (about 2613-2160 BC), royal power was devolved to nomarchs (provincial governors), leading Egypt into the First Intermediate Period.

Egyptologists traditionally distinguish between the major periods of pharaonic history on the basis of the political state of the country. ‘Kingdoms’ -defined as times of political unity and strong, centralized government -alternate with the ‘intermediate periods’, which are in contrast characterized by the rivalries of local rulers in their claims for power. (-Stephan Seidlmayer, in The Oxford History of Ancient Egypt, pg. 108).

The Middle Kingdom (approx. 2055-1650 BC), however, saw the re-centralization of power and the disappearance of these nomarchs and their families. Senwosret III was an instrumental player in this, with his domestic policy focused on reorganizing the administrative system; he also greatly strengthened Egypt’s control over Nubia. 

There is a significant difference between the royal statues of the Old and Middle Kingdoms. Those of the Middle Kingdom overall become larger in size, and markedly sterner-looking in expression. I side with those Egyptologists who suggest that the recent memory of the First Intermediate Period was the cause of this; following the loss of kingship to the nomarchs, the kings of the Middle Kingdom felt the need to exhort their power and authority in more obvious manners -such as through their artistic representations.

This powerfully realistic portrait of Senwosret III [the middle statue shown] was clearly intended to inspire awe in the onlooker. The authority of the Pharaoh is conveyed by the stern gaze and the downturned, almost grimacing, mouth. (-Rita Freed in Ancient Egypt, pg 218).

A good example which I usually give when comparing is this Old Kingdom statue of Khafre at the Egyptian Museum in Cairo. 

Artifacts shown courtesy & currently located at the British Museum, London. Photo taken by Stevan Hubbard.

onemillion-years-dungeon:

I am in love with the Haunted Mansion stretching portrait parodies

(Source: tattletale--strangler, via fuckyeahhauntedmansion)

disney-park-junkie:

The Original Pet Cemetery at the Haunted Mansion - In the 1980s Imagineer, Kim Irvine, went to local nurseries and bought animal statues that were added to a side path next to the Haunted Mansion. They are actually located right between the mansion and Splash Mountain. She asked fellow Imagineer, Chris Goosman, to write the campy epitaphs that are featured on each headstone. This was an area that was only visible to cast members and guests who were using a wheelchair. However, it proved to be so popular that the Imagineer team decided to add a pet cemetery to the front of the queue as well! The original cemetery can still be seen along side of the mansion. If you ask a cast member, (nicely), they might even take you back there to visit Miss Kitty, Bully, Stripey and Big Jake!

Source

(via fuckyeahhauntedmansion)

thehauntedmansiondisney:

Kris Floyd’s Haunted Mansion Monsters Inc Mashup “Haunted Mansion Inc”

The Hitchhiking Ghosts (sketches to final audio-animatronics)

(Source: alexleefitz, via fuckyeahhauntedmansion)